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Melgund Township Winter Story Library

The Rotary Club of Lake Kitchigami - Script

by Jamie F. Bell | Script

EXT. NORTHERN ACCESS ROAD - DAY

A city-bred sedan RATTLES violently over packed snow. The tires HUM a miserable tune against the ice.

INT. SEDAN - CONTINUOUS

MAIA (27) grips the wheel. She is pale, dressed in a wool coat that costs more than the car, her knuckles white.

The dashboard VIBRATES. A low, guttural GRINDING sound emanates from beneath the passenger seat.

EXT. CABIN - MOMENTS LATER

The car dies with a final SHUDDER. Silence rushes in instantly. Absolute. Heavy.

Maia steps out. The air HISSES as it hits her lungs. She hauls a stiff canvas duffel from the back.

She trudges through thigh-high drifts to the porch. Reaches the door. Inserts a key. It refuses to turn.

She jiggles it. Twists. Nothing.

MAIA

Come on, you stupid piece of—

She wrestles the brass knob. Her breath comes in sharp, angry puffs. She steps back and KICKS the wood. THUD.

The door swings inward. It wasn't locked. Just frozen.

INT. CABIN - CONTINUOUS

Maia stands in the doorway. Inside is a time capsule. Dust motes dance in shafts of cold light.

A stack of National Geographics. A half-finished crossword.

Maia drops her bag. It lands with a muffled THUMP. She runs a finger over the table, leaving a clean streak in the dust.

INT. CABIN - NIGHT

Maia kneels before the stone hearth. She strikes a match. The damp newspaper smolders, releasing acrid SMOKE.

She coughs, eyes watering. She rearranges the wood. Strikes another match.

A flame catches. A soft WHOOSH. The pine CRACKLES.

Maia sinks into a worn armchair. She pulls her knees to her chest, staring into the fire. The silence of the room presses against her.

EXT. LAKE KITCHIGAMI - DAY

A vast expanse of white. Grey sky meets white ice.

Maia, bundled in layers until she is round, turns the handle of a rusty auger. The blades GRIND into the ice.

She sweats. Pants. The auger breaks through. Black water GURGLES up.

LATER

Maia sits on an overturned bucket. Motionless. A statue of misery.

The rod tip JERKS down. Hard.

Maia scrambles up. She reels. The rod bends double. The line sings tight.

She heaves. Something breaks the surface.

It isn't a fish. It is black. Bakelite. Curled cord.

Maia drags it onto the snow. A rotary telephone. Pristine.

She stares. Her chest hitches. A LAUGH barks out of her. Harsh. Unhinged. It echoes across the empty lake.

EXT. LAKE KITCHIGAMI - NEXT DAY

Maia sits by a new hole. Beside her, the black telephone sits on the ice.

The rod bends again. Heavy dead weight.

She reels it in. Hauls the catch onto the ice.

A chrome Sunbeam toaster. Two-slice. Immaculate.

ANDREW

T-7 model. Nice.

Maia jumps. She spins around.

ANDREW (20s) stands ten feet away. He wears high-tech gear and carries a tablet. He has the eager energy of a golden retriever.

ANDREW

The radiant control is spotty, but they toast evenly. Did you get the Western Electric 500 yet?

Maia points a gloved finger at the toaster.

MAIA

Who are you?

ANDREW

Andrew. Limnology. I'm mapping the displacement patterns.

He taps his tablet. He turns the screen to her. A digital map overlaid with colored pins.

ANDREW

It's not random. Look. The toaster? That's Flo's Diner. The phone? The Post Office.

He zooms out. The map shows a grid of streets under the water.

ANDREW

Auden's Hollow. Flooded in '62. The sediment kept it perfect, but the currents are changing. It's all coming up.

A low RUMBLE vibrates through the ice.

They turn. Two massive white trucks bearing the logo "NORTHERN DOMINION MINING" roll onto the ice near the shore.

Men in orange coveralls jump out. They begin unloading a hydraulic drill rig.

Andrew's face falls.

ANDREW

Core sampling. They're early.

A FOREMAN (40s), face like a clenched fist, walks over. He stops a few feet away.

FOREMAN

Clear the area. We're running seismic in twenty minutes.

MAIA

This is a public lake.

FOREMAN

It's a federal survey zone as of this morning. You want to fish, go to the south basin.

He glances at the toaster. Sneers. Walks away.

INT. CABIN - NIGHT

The toaster and phone sit on the kitchen table.

Andrew paces. He taps furiously on his tablet.

ANDREW

If they drill, the vibration collapses the sediment shelf. The town is gone. We need an injunction, but that takes weeks.

Maia stares at the phone. She picks up the receiver. Listens to the dead air.

MAIA

My grandmother didn't believe in injunctions.

She sets the receiver down. Hard.

MAIA

She believed in being a nuisance.

EXT. LAKE KITCHIGAMI - NIGHT (MONTAGE)

- Maia and Andrew creep across the ice in the dark.

- They pull up orange survey flags. Move them fifty feet to the left.

- Andrew pours boiling water from a kettle down a fresh auger hole.

- Maia siphons gas from the mining generator into a jerry can. Her hands shake.

INT. CABIN - DAY

Maia rummages through a desk drawer. Papers fly.

She pulls out a small, leather-bound journal. Opens it. Her eyes scan the spiky handwriting.

She stops. Reads a passage again. She looks up at Andrew.

MAIA

She knew. She knew they were coming.

Maia turns the book to him. Points to a diagram. A submersible lift. A map of the spring.

MAIA

She didn't just find the town. She seeded the current. She put the artifacts in the flow so they'd surface now.

ANDREW

She manufactured a heritage site.

Maia reads the last entry.

MAIA

"A compass to see you on your way."

EXT. SHELTERED COVE - DAY

Maia sits alone. The mining DRILLS whine in the distance.

She pulls the line up. Hand over hand. Slow. Reverent.

A small object breaks the surface.

A brass compass. Not rusted.

She holds it in her palm. The needle spins wild, then snaps to North.

INT. CABIN - DUSK

Maia walks in. She places the compass on the table next to the phone.

Andrew looks up from a stack of forms.

ANDREW

Well?

Maia unzips her coat. She looks at the compass. Then at the map.

MAIA

We don't need to slow them down anymore. We have the proof.

She taps the compass.

MAIA

We file the claim tonight.

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